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What starts out seeming like a standard “back to the roots” story, becomes a mystery of both personal and political implications in Shonali Bose’s feature debut, Amu.

Amu is the journey of Kajori Roy, a 21-year-old Indian American woman who has lived in the US since the age of 3. After graduating from UCLA Kaju goes to India to visit her relatives. There she meets Kabir, a college student from an upper class family who is disdainful of Kaju’s wide-eyed wonder at discovering the “real India”. Undeterred Kaju visits the slums, crowded markets and roadside cafes of Delhi. In one slum she is struck by an odd feeling of déjà vu. Soon after she starts having nightmares. When Kabir discovers that Kaju was an adopted child, he gets drawn into her personal mystery.

Meanwhile Kaju’s adoptive mother – Keya Roy, a single parent and civil rights activist in LA, arrives unannounced in Delhi. She is shocked to discover that Kaju has been visiting the slums. Although Kaju mistakes her mother’s response to a typical Indian over-protectiveness – Keya’s fears are deeper rooted.

Slowly Kaju starts piecing together what happened to her birth parents. Mother and daughter clash as Kaju discovers she has been lied to her whole life. What was the truth? Why was it suppressed? As Kaju and Kabir undertake this quest they both discover their families involvement with a man made tragedy of immense proportions which took place twenty years before in the capital city of India: the massacre of thousands of people of the Sikh faith. In a searing climax the young people are forced to confront the reality of the past and how it affects the present.

 

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